Obie Trice – Adrenaline Rush 5. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. What (partially) saves this movie is the rap battle...why didn't they give us more rap? Because of the prevalence of rap and hip-hop in mainstream culture, it would be easy to assume that the paying public would go along with every aspect of the world that is put in front of them. Obie Trice, Emine…, Released 10/29/2002 Label: Shady Records/Aftermath Records/Interscope Records Format/Edition(s): Album 1. 8 Mile is a gritty and gripping drama which has generally aged well and remains one of the highlights of Eminem's career. Loved this movie so much. And despite us knowing for the most part where the story will go, the film is still very loosely edited; it doesn't have the raw, breakneck intensity that made La Haine so good, and there's only so much we can look at a run-down street before we start to lose interest. All rights reserved. 2. One of the first challenges that any film about music has to do is to explain the appeal of the music and its surrounding culture to an audience that may have no familiarity with it. 2 tracks (11:57). Mom, you gotta stop livin' your life like this? 8 Mile: Official Clip - Rabbit Battles Lil' Tic, 8 Mile: Official Clip - You're Gonna Be Great, 8 Mile: Official Clip - Rabbit Battles Papa Doc, 8 Mile: Official Clip - We're Being Evicted, 8 Mile: Official Clip - Rabbit Battles Lyckety-Splyt, 8 Mile: Official Clip - Rabbit is Betrayed, 8 Mile: Official Clip - Cheddar Pulls a Gun, 8 Mile: Official Clip - Greg's Outta Here. Reviewing the film for The Chicago Sun Times, Roger Ebert praised the film for essentially not having a third act. Nas – U Wanna Be Me 11. By creating an account, you agree to the Privacy Policy Just as the mod movement in London in the 1960s provided an outlet for young men who laboured away in factories by day ("the dirty jobs" of Quadrophenia), so the rap battles provide an outlet for the all the frustrations, ego and anxiety experienced by these young men. It's memorable, and it's a reminder as to why Eminem and rappers like him are respected in the ways they are. Casting Kim Basinger as Rabbit's mother was a sore point for many critics, who felt that she was too glamorous to pull off the part. On the back of The Marshall Mathers LP and The Eminem Show, which brought him both hit singles and critical praise, it would have been extremely easy for him to coast on a project like this. The story here is one that is very familiar, and if you've ever watched a sports drama you've seen this in some form or another. Obie Trice, Eminem, 50 Cent – Love Me 3. The downside to this approach is that the film occasionally feels repetitive or drags; we know that some kind of uplift is coming, because the story is well-worn, and there are times of wishing that it would just cut to the chase. Both Mathieu Kassovitz and Karel Reisz are interested in the social conditions which could have produced their leading men, whether it's the banlieues of Paris or the post-war streets of Nottingham. We won’t be able to verify your ticket today, but it’s great to know for the future. Sometimes this can work to the film's advantage - for instance, David Byrne in True Stories - but for every figure like David Bowie who can serve a role, there are a dozen singers who simply can't fit in. This 10-digit number is your confirmation number. The whole focus is on his personality and in particular his stillness. Sign up here. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Eminem – Lose Yourself 2. (archive footage) (uncredited), Woody Woodpecker A lot of the themes and language in the movie haven't aged well...the soundtrack is amazing, though. While not perfect, or Curtis Hanson's finest film, it is a gritty and absorbing project which still holds up very well after 15 years. It's a flaw that the film almost can't help, but it's a flaw that can be overlooked thanks to the surprisingly impressive performance by Marshall Mathers (that's Eminem's real name, in case you don't know). A refreshing way to build a story that is ghoulishly overfamiliar in nearly all its particulars. I never understood why people don't like this movie (54% of the audience), but it seems like only rap fans and open-minded people (Like me) would like it. tomm098. 8 Mile came at a time when Eminem was at the peak of his powers. Creative Commons Attribution-ShareAlike License. Just leave us a message here and we will work on getting you verified. Xzibit – Spit Shine 9. A new version of is available, to keep everything running smoothly, please reload the site. He's assisted ably in this regard by Rodrigo Prieto, who was Oscar-nominated for his work on Silence and Brokeback Mountain. Official Sites There have been dozens of movies about emerging music stars and their families, their early sponsors, their first big breaks, and so on, many of them with more range and specificity of detail than this one. In the tradition of Rocky and Fever, the movie is a shrewdly engineered piece of proletarian pop -- a story of triumph -- but, like Eminem's enraged lyrics, 8 Mile has its own kind of vile candor. That's not to say, of course, that Hanson's rendering of 1990s Detroit is completely unremarkable or inconsequential. Let us know what you think of the website. By focussing on the plight of disenfranchised, alienated young men in an unforgiving landscape, the film merits close comparison with La Haine, and by extension Saturday Night and Sunday Morning. Gang Starr – Battle 16. (archive sound) (uncredited), daily assistant makeup artist (uncredited), unit production manager (as Mary J. Courtney), executive in charge of production (uncredited), first assistant director (as Eric N. Heffron), second assistant director (as Michael Moore), second second assistant director (as David Riebel), second second assistant director (uncredited), construction foreman (as William W.Gideon), art department coordinator (as Nicole C. Sylvester), special effects assistant (as Frank R. Krenmuller), special effects assistant (as Thomas Rigden), digital visual effects coordinator: Pacific Title (uncredited), stunt double: Marshall Mathers (uncredited), stunt double: Michael Shannon (uncredited), chief lighting technician (as Robert Baumgartner), second assistant camera: "b" camera (as David DeBrincat), second assistant camera (as Glenn D. Kaplan), rigging electrician (as Bradley A. Knopf), camera operator: "b" camera (as Patrick J. Pask), rigging electrician (as Scott D. Zuckerberg), additional rigging electrician (uncredited), additional second assistant camera (uncredited), second assistant camera: "a" camera (uncredited), casting assistant (as Stacey A. Opalewski), post-production assistant (as M. Wilson Burdorff), digital intermediate producer (uncredited), additional composer / music arranger / songs: music and lyrics by, music arranger (as Steve King) / music engineer (as Steve King), executive in charge of music: Universal Pictures, additional script supervisor (uncredited), production assistant (as Felicia Hatcher-Brown), post-production accountant (as James O. Maull), key set production assistant (as Marvin J. Williams Jr.), stand-in: Photo double for Marshall Mathers (uncredited), technical supervisor: preview (uncredited), photo double (uncredited) / photo double: Kim Basinger (uncredited).

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